Tag Archives for " Music Producer’s Handbook "
You may have been here before. You’re working on a song but it just isn’t coming together. If you’re experienced you probably know exactly what to do, but even after a couple of steps you might hit a dead end. This excerpt from my Music Producer’s Handbook provides 10 questions to ask in order to troubleshoot a […]
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When you’re recording basic tracks, especially in an expensive commercial studio, it’s easy to get off track in a way that not only causes you to waste time, but money as well. These 5 session tips from the latest edition of my Music Producer’s Handbook will ensure that not only your tracking session, but all […]
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If you’re a producer that’s about to work with a new artist or band, there’s a crucial part of the preproduction process that’s very often overlooked. It’s the “Getting To Know You” phase where you actually sit down with an artist to find out what are the influences that got them to this point. This […]
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If you’re a producer, engineer or musician, chances are that you’ve been asked to work on someone’s recording. That’s all well and good, but how do you get compensated for your efforts? Here are 5 ways that you can charge for your services. Here’s a typical scenario. An indie band asks you to work with […]
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Your not a music professional if you haven’t been screwed out of money at least once. That’s par for the course and part of the learning process, but it obviously becomes a real problem if it continues to happen. Regardless of what end of the music business you work in, as an independent contractor it’s your […]
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If you don’t know about producer/engineer Ed Cherney then you really should. Ed is one of the best engineers on the planet, with credits like Eric Clapton, Bonnie Raitt, The Rolling Stones, Willie Nelson, John Mayer, and even Spinal Tap, among many others (you can see them all on his website) and he’s won 2 […]
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Thanks to the world of DAWs, loops and samples, many producers, engineers, musicians and bands don’t know what the “groove” and the “pocket” of a song is. Because most every recording is placed exactly on the grid, it’s easy to come up with a beat or song that’s perfectly in time, but lacks a groove […]
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An overdub session, especially one involving multiple players and parts, can deteriorate quickly into chaos without a plan. It’s easy to spend hours looking for the right performance or sound, but you can spend even more time experimenting if the producer didn’t expect that to happen and allot time for it. That’s why it pays to […]
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Preproduction is the best time to work out any kinks in songs and arrangements way before you begin to record. Chances are that there will come a time when your band is playing either in rehearsal or in the studio and suddenly there’s a train wreck where something sounds way off, and you may have […]
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Before a music project can even begin there are a number of basic decisions that every producer faces in order to get the ball rolling. This excerpt from the latest edition of my Music Producer’s Handbook illustrates the many production considerations confronting a producer in a typical project before it even hits the studio. Most of the […]
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One of the major jobs of both a producer and a mixer is to arrange the song if needed (and it usually is). Anyone that’s been working in a studio for a while learns that there are 5 kinds of arrangement elements that make up a song. You can have fewer than 5 happening simultaneously […]
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Many musicians, producers and engineers fight with the click track for various reasons, but most of the time it’s because the player just can’t hear it in a way that’s conducive to playing in the pocket. Here are 6 tips from the 2nd edition of my Music Producer’s Handbook (previously posted on my Big Picture blog) about […]
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Getting a great vocal take comes from having a comfortable vocalist, and most of the time it’s the little things and attention to detail that counts the most. Here’s a checklist from my Music Producer’s Handbook to follow before vocal recording that will help make sure your singer is as comfortable as possible to enable a […]
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By my count, there are 8 “constants” that we find in vocal recording. These are items or situations that almost always prove to be true. Just keeping them in mind can save you a lot of trouble in the search for a sound that works for you and your vocalist. Here are a few tips […]
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Many producers using home or small studios are forced to use headphones late at night so they don’t disturb the family or the neighbors. That’s obviously not a method that many would recommend for a great mix, but it’s possible to attain something reasonable using headphones if you’re aware of the pros and cons involved, which […]
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