Category Archives for "Production"
Depending upon how much of a purist you are, pitch correction is either the worst thing to ever happen or a godsend. Regardless of how you come down on the issue, it’s at the very least a necessary evil in today’s music. Here are 5 tips from the 4th edition of my Mixing Engineer’s Handbook that […]
Continue readingAnother great pioneer in the music world has left the building. If you’ve ever owned a Roland or Boss piece of gear (and I’d go as far as to say that’s everyone), then you’ll be saddened to know that the founder of those fine companies, Ikutaro Kakehashi, has passed. He was 87 years old. Kakehashi […]
Continue readingI’m a purist when it comes to guitar pedals I must admit. Back when I was a serious player, my guitar rig devolved from one with the typical half-dozen+ pedals to none, as my sound came the “classic” way from just the guitar and amp (and sounded great, by the way). The same with the […]
Continue readingIf you grew up in the days of recording studios built around consoles and hardware, then you were probably used to using a Lexicon reverb. Although not the first digital reverb, the Lexicon 224 and subsequent versions became a must-have for every studio to have in its arsenal in no time, and we all grew to […]
Continue readingThere are few guitar players that you can truly say are influential, but Randy Rhoads is certainly one of them. His playing on Ozzy Osbourne’s initial solo album set the guitar world on fire, and for many metal players, it’s still the bar that everyone aims for. When “Crazy Train” exploded onto the radio guitar players […]
Continue readingToday is the 3rd anniversary of my Inner Circle Podcast and I’d like to thank you for being a loyal listener. I never envisioned getting to 150 episodes, but it’s all been made possible by followers like you! Episode #151 brings back engineer Dennis Moody. Dennis was my first guest, and he’s celebrated every podcast […]
Continue readingSo many of you really like these Friday isolated tracks, but I’ve recently had some comments like, “Why do you keep posting old songs?” Fair enough question, and there are 3 reasons. 1. Plain and simple, the isolated tracks are much more available for older classic tracks than new ones, which are much more closely guarded […]
Continue readingOne of the hardest things for many mixers to determine is when a mix is finished. In fact, engineers new to mixing may think a mix is ready in an hour, but a pro will usually take considerably longer. How much longer? Well, some big hit maker mixers that I know may spend up to 16 hours […]
Continue readingSome might argue that “Staying Alive,” both song and the movie, heralded in the disco age. It’s certainly a song that everyone knows as it was iconic for the time as has seeped into our musical heritage. Whether you like disco or not, the Bee Gees had a sound that was entirely unique and hasn’t been […]
Continue readingHere’s a great distorted guitar recording tip that I got from Richard Chycki, engineer for Rush, Dream Theater, Aerosmith and many more. I liked it so much I’ve used it on every session since, and included it in the latest version of my Recording Engineer’s Handbook as well. Distorted electric guitar is notoriously difficult to edit, […]
Continue readingI’m proud to announce the fully updated fourth edition of my Recording Engineer’s Handbook, a complete compilation of the best recording techniques currently used today. Along with the rich treasure trove of information from the previous versions of the book, the latest edition also includes new sections on immersive audio recording, electric guitar recording tricks, and DIY […]
Continue readingLady Gaga’s debut album was a worldwide smash, and the 5th single off the record, “Paparazzi” continued a streak of hit singles that would last for years. The song was written by Gaga and former manager Rob Fusari, who also co-produced the track. The mix was done by Robert Orton and mastered by Gene Grimaldi at Oasis […]
Continue readingIt’s tough out there for songwriters and composers of every genre. There’s more competition than ever, thanks to better training and the proliferation of home studios, so the last thing that’s needed is another obstacle to go up against. That’s why the rise in A.I. composed music (meaning by artificial intelligence) is so disconcerting. Most of us […]
Continue readingYesterday was a lot of fun looking at some of the major items that caught my eye at NAMM, but today we’ll look at some of the other audio products. Once again, this is in no particular order. Digigrid displayed a couple of audio interfaces called M Cube that allow you to connect to a computer […]
Continue readingWinter NAMM just ended and as usual there’s a lot to talk about. I’ll be covering the various new products and oddities over the next few days, as well as a big picture overview on my podcast.The show was generally filled with enthusiasm and everyone was feeling pretty prosperous. Hope it stays that way in […]
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